Sara Rodrigues de Sousa is an Assistant Professor at the European University, where she teaches, among other subjects, Tangible and Intangible Heritage, Creative Writing and Storytelling, Semiotics, Integrated Laboratory in Tourism, Communication Skills and Spanish. She was a visiting assistant professor at the Faculty of Social Sciences and Humanities at Universidade Nova de Lisboa, where she taught the Seminar in Comparative Iberian Studies (second cycle) and the Seminar in Translation (first cycle).
She is currently Student Ombudsman at the European University, IPAM Lisbon and IPAM Porto. Previously, she was coordinator of cycles of studies and transversal coordinator of the foreign languages area.
At FLUL's Centre for Comparative Studies, she is a member of the ECHO: Poetry and Poets of the General Songbook subgroup (Morphe group) and a collaborator in the DIIA - Iberian and Ibero-American Dialogues research subgroup (Locus group). She regularly participates in international congresses in her research areas.
Areas of research
Songbook studies
Hispanic literatures
Rhetoric
Literature and tourism
Selected publications
Sousa, S. R. de. (2022). “Bookshop Tourism”, “Literary Cities”, “Literary Tourism for Children”, “Virtual Literary Places”. In Working definitions in literature and tourism: A Research Guide, edited by Sílvia Quinteiro & Maria José Marques, CIAC, Universidade do Algarve. https://doi.org/10.34623/h3xd-jt31
Sousa, S. R. de. (2022). “ ‘Nenhuma sombra’: o Algarve de Sophia de Mello Breyner Andresen”. In Antónia Correia (ed.), Turismo: Algarve, Segredos por revelar, Escolar Editora, pp. 75-94.
Sousa, S. R. de. & Santos, I. D. (2022). “Quem quer ser algarvio? Nótulas históricas sobre a vontade de permanecer”. In Antónia Correia (ed.), Turismo: Algarve, Segredos por revelar, Escolar Editora, pp. 3-32.
Sousa, S. R. de. (2021). “Literary Tourism in a Contact Zone. The Spanish Translation of Lisbon – What the Tourist Should See, by Fernando Pessoa”. In Esther Gimeno Ugalde, Marta Pacheco Pinto & Ângela Fernandes (ed.), Iberian and Translation Studies. Literary Contact Zones, Liverpool, Liverpool University Press, pp. 225-241.
Sousa, S. R. de. (2019). “'Que venga toda fortuna': Dom Diogo Pereira y Diogo de Mendonça, a partir de las justas reales de 1490”. In Josep Luís Martos & Natalia A. Mangas (coord.), Pragmática y Metodologías para el Estudio de la Poesía Medieval, Alicante, Universidade de Alicante, pp. 359-370.
Sousa, S. R. de. (2019). “Mutilación y (re)creación poética: las 'letras' y 'cimeiras' del Cancioneiro Geral, de Garcia de Resende” (1516). In Isabella Tomassetti et al. (coord.), Avatares y perspectivas del medievalismo ibérico, San Millán de la Cogolla, Cilengua, 2 vols., II, pp. 1227-1237.
Sousa, S. R. de. (2020). “Referencias judaicas en las 'cosas de amores' del Cancionero General de Hernando del Castillo”, Revista de Cancioneros Impresos y Manuscritos, 9, 134-153.
Sousa, S. R. de (2018). “Los estudios literarios en el diálogo entre literatura y turismo”. In Cristóbal José Álvarez López & Maria del Rosario Martínez Navarro (coords.), En Busca de Nuevos Horizontes – Algunas líneas actuales en los estudios hispánicos, Vila Nova de Famalicãoa, Húmus, pp. 49-58.
